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The Washington Post Australian musician Xavier Rudd plays more than a dozen instruments across his seven studio albums, but none are more striking than the didgeridoo. The long and narrow, droning and yelping wind instrument — developed by indigenous Australians and traditionally called a yidaki — is a signature part of Rudd’s feel-good folk rock. “I was always drawn to the didgeridoo,” Rudd says. “It’s from a small part of [Australia], but it became an instrument for the whole country eventually because it was the most prominent Aboriginal tool recognized around the world.'

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The Washington Post When Thiat and Kilifeu were 17, starting their lives as hip-hop artists in Kaolack, Senegal, they were arrested and beaten for performing a song that spoke out against their mayor. That didn’t shut them up: A decade and a half later, the music of their rap group, Keurgui Crew, helped mobilize one of Senegal’s biggest youth voter turnouts in history for the 2012 presidential election. “Our hip-hop is not for dancing or having a party,” Thiat says. “We create music that gives people hope.”. The Washington Post Big Boi was closing the windows on his computer screen when a song on a pop-up ad caught his attention.

He opened the Shazam app on his phone and held it to the speakers. The artist: Phantogram. The track: “Mouthful of Diamonds.” Soon after, the OutKast rapper featured the song as the jam of the week on his website. Phantogram, the indie-electronic duo made up of best friends Sarah Barthel and Josh Carter, was shocked — and ecstatic.

“It was hard for us to believe,” Barthel says. “We grew up on OutKast. We always looked to OutKast as a [model for how] we wanted to build our own career because they were so unique and their sound was so fresh.”. The Washington Post Eleven years ago, Detroit-based singer Vienna Teng left her cushy job as a software engineer at Cisco Systems in California to pursue a career in music. Since then, she’s recorded five albums, including her newest, “Aims.” Grassroots Growing: After the release of her 2002 debut, “Waking Hour,” Teng went from playing coffeehouses to appearances on NPR’s “Weekend Edition” and “Late Show with David Letterman” in less than a year.

On “Aims,” Teng, usually accompanied by simple piano, ventures into new territory, using guitar and percussion loops. The Washington Post Nick Littlemore’s through-the-clouds synths perfectly complement Luke Steele’s falsetto vocals on Empire of the Sun’s second album, “Ice on a Dune,” which dropped in June. Since the release of the Australian electro-pop duo’s hit debut “Walking on a Dream” five years ago, Littlemore, left, and Steele, right, have been on a nonstop world tour. Synth We Met: The two met in 2000 at a bar in Sydney, which led to collaborations on Littlemore’s rock project Teenager and Steele’s alt-rock band The Sleepy Jackson. The two reunited to work on songs for the dance act Pnau before forming Empire of the Sun in 2008.